Osprey Short Film Awards
Osprey Short Film Awards 2021
The delayed 2021 Osprey Short Film Awards took place in the recently re-opened Alhambra Cinema on Saturday 23rd October.
Entries for the 22nd Keswick Film Festival competition were invited back in March 2020 and despite the difficulties of working
for much of the year with
lockdown restrictions Cumbrian filmmakers responded magnificently in both
the Student and Open categories.
This year the judges selected 12 films to show at the screening.
The selected film makers have used a wide range of budgets and technical
resources and worked in many film genres and styles to showcase their
imagination and creativity, and all in no more than 10 minutes.
Some respond to topical events: Black Lives Matter (the sombre and
sensitive documentary reporting The Case of Rashan Charles); the 250th
anniversary of the birth of Ludwig van Beethoven (rhythmic and colourful
animation in Flames Tear the Soul); and of course, the pandemic. We have
three very different accounts of the March-May 2020 lockdown: an elegiac
discovery of calmness and birdsong (The Love Song of T. S. Elliot); a glimpse
of the chaotic and emotional 24 hours news cycle around the world (After
the Rain); and, a vivid rejoinder to the news that Barrow in Furness had the
highest rate of infection in the UK (Pandemotion).
The pandemic also inspires a hope that post-covid we might build a
different and better world (Surplus Women) and a drama that uses
lockdown to explore themes of identity and place (Shadow of the
Two experimental films employ minimal cinematic resources: a single
tracking shot (Of Friction and Gravity); and a fixed camera monologue
(What Goes ‘round). By contrast a collaborative ensemble of young people
and film mentors produced a fully scripted drama (The Catfish Club). We
also have humour: plenty to make us smile (All in a Days Work); and
perhaps, to laugh out loud (The Not So Super Man).
Open Award Winner
Shadow of the Mountain
Simon Phelps (10 mins)
Living in lockdown with his mum and infirm grandfather, an isolated boy explores the local landscape and discovers a thin veil between life and death.
The film was shot in and around Millom, including Hodbarrow, a flooded old iron ore mine, which is now a nature reserve. The story was inspired by the work of local poet, Norman Nicholson.
His poem 'The Shadow of Black Combe' evokes the history of the mountain, and the landscape it watches over, being inextricably linked to the poet's own life. An elided quotation
from the poem appears at the beginning of the film, including the final line: 'one death will do for me'. An idea that haunts. How being separate from a place, so interwoven
with one's identity, makes death feel living. The film follows a boy, drawn by a call he doesn't understand, to also become part of this legacy.
The film was sponsored by a Millom based company and most of the cast and crew either live, work or study in Cumbria.
A further part of the project is to work with local schools and use the film as a platform for students to tell their own stories inspired, as
Nicholson was, by the Cumbrian landscape.
Student Award Winner
The Love Song Of T. S. Eliot
Kitty Handley (5 mins 53 secs)
The intimacies of one day shared by three people during the March-May 2020 lockdown in the Cumbrian village Scotby, Carlisle.
The beautiful sound of birds throughout that, although usually audible, were louder than ever before due to the hush of the motorways and roads.
The film captures the peacefulness of Cumbria's countryside, and the pocket of calm it offers in a busy world.
Kitty Handley is a third year filmmaking student at Manchester School Of Art. Her work focuses on the blurred line between documentary and fiction.
She has recently won the award for Best First-Time Filmmaker at the Screen Power Festival and her work has also being screened
at Filmed Up- HOME, The DGSYR Report Exhibition and Lift Off Film Festival.
Other Shortlisted Films
'Accidental Death' of a Young Black Londoner, The Case of Rashan Charles
Rebecca Omonira-Oyekanmi (2 mins 20 secs)
Rashan Charles, died in 2017 after being restrained by a police officer and a man police said was a 'member of the public'.
The film features exclusive CCTV footage of what was done to Rashan, with analysis by his great uncle, a retired Chief Inspector of
the Metropolitan Police Service, who raises concerns about the use of force, the police investigation, and the flawed inquest process.
Rebecca Omonira-Oyekanmi is an independent investigative journalist. Her work has been twice shortlisted for The Orwell Prize for political writing
and her reporting won a Refugee Council award and a Write to End Violence Against Women award. Rebecca was appointed the 2020 Stuart Hall Fellow at Sussex University.
Investigative journalist Clare Sambrook has lived and worked in Cumbria's Eden Valley for 20 years. Clare is the film's editor, and, with
Rebecca Omonira-Oyekanmi, she co-researched, co-wrote and co-produced the film.
After The Rain
Lorna de Mello (6 mins 25 secs)
After the Rain details the effects of the first, March-May, COVID-19 quarantine on people - how they're coping and how they feel.
Including visuals from Carlisle, Italy, TV news reports and free stock footage it serves as a snapshot of the early days of quarantine and lockdown
and features interviews from three individuals from Cumbria. What is seemingly relatable, surface-level emotions reveal themselves to be much
more complex. COVID-19 has ultimately become a societal, cultural and emotional reset which has not only tested Cumbrians, but the world.
Lorna de Mello (Director/Producer), Michelle Lam (Cinematographer/Editor) and Thomas Thorne (Sound Design), created After the Rain for
their final degree film project at the University of Cumbria.
All In A Day's Work
Jay Gilmour (3 mins 42 secs)
A day in the life of a hard working young farmer, from sunrise to sunset, following him through the trials of the day.
The film was shot on a farm near Castle Carrock, just east of Carlisle and stars Toby Gilmour (as himself), a new Cumbrian talent.
Jay Gilmour is a photographer and videographer, born and raised in Cumbria.
The Catfish Club
BFI Film Academy 19-20 with Signal Film and Media (6 mins 42 secs)
Three mysterious figures compete in a high-stakes heist in this 1920's drama; it's anyone's game at The Catfish Club.
A film made by 16-19yr old first-time filmmakers as part of the BFI Film Academy delivered by Signal Film and Media in Barrow in Furness.
The Barrow BFI Academy has regularly featured in the Osprey Official Selection and provided the Student Category winners most recently with Learner (2020)
and Best of Three (2018). After cutting their film making teeth in the Academy a number of young Cumbrian have gone to make a career in film and
to enter their own films our competition.
Flames Tear The Soul
Tizzy Canucci (9 mins 20 secs)
What and how we experience now is connected to the past. Second Life is an online 3D digital world where users (called Residents) can pretend to be whomever, or whatever they want to be. Here the virtual world is worked together with Beethoven's Heiligenstadt Testament and Third Symphony. As Beethoven tried to come to terms with his increasing deafness, he writes about isolation, loss of meaning, and how art was the last thing to cling to.
Tizzy Canucci is the pseudonym of Tess Baxter who has lived in Cumbria for 40 years and was awarded a PhD in Contemporary Art at Lancaster University earlier this year. As Tizzy Canucci in Second Life, Tess started experimenting with the possibilities of what's often called machinima, but she prefers to see them as video art.
The Not So Super Man
Joel Sheldrak (3 mins 15 secs)
When a 'superhero to be' fails at the first hurdle of his dream he discovers his true power is saving lives in a more subtle way...
A moral story to say no matter who you are and what powers you might have, everyone can be a superhero.
Joel Sheldrake a final year student at the University of Cumbria, specialising in sound recording, directing and general organisation
and logistics of student shoots. Not So Super Man was shot in Carlisle.
Of Friction And Gravity.
Richard Skelton (6 mins 7 secs)
The film is an accompaniment to Richard Skelton's second novella, 'And Then Gone', in which, in the wake of an unnamed calamity, a solitary woman travels back to her
childhood home, navigating the maze of narrow roads that cross-cut England's hinterlands below Hadrian's Wall. It was filmed in Kershopefoot in northern Cumbria.
Richard Skelton is a British musician and writer. His recordings explicitly reference places of emotional resonance, specifically the West Pennine Moors.
Richard was an Osprey winner in 2019 with A Mercy Kill.
Kit Taylor (4 mins 21 secs)
The film was shot completely in Barrow-In-Furness using all local talent and crew during the Covid 19 lockdown 2020 in response to headlines of Barrow being labeled a pariah town as well as the worst hit town in the UK. This was an attempt to remain creative and positive in a dark time for the arts.
Kit Taylor first worked with film in the BFI Film Academy (2012) with Signal Films in Barrow. He studied film and media at Kendal College with Dom Bush and is now doing a film and TV production degree at the University of Hertfordshire.
Lucy Atkinson (3 mins 52 secs)
Mary finds herself adrift, a year after the second world war, no idea what the future will be like. An examination of life for women in post war rural
Britain, by a girl trapped in quarantine, with no idea what the future will hold for her. About quarantine, and made in quarantine, the film is open ended, we don't know
what is going to happen next.
Lucy Atkinson made the film as a first year film student from Cumbria who worked in collaboration with local Cumbrian farmers for research and set design.
What Goes ‘round...
Joshua Alexender (5 mins 28 secs)
An uncomfortable testimony on the terrible consequences of one man's obsession with coincidence, relationships and being.
Written & performed by Paul Martin, who lives in Keswick.
- 'Accidental Death' of a Young Black Londoner, The Case of Rashan Charles - Rebecca Omonira-Oyekanmi
- After The Rain - Lorna de Mello
- All In A Day's Work - Jay Gilmour
- Flames Tear The Soul - Tizzy Canucci
- Of Friction and Gravity - Richard Skelton
- Pandemotion - Kit Taylor
- Shadow of the Mountain - Simon Phelps
- Surplus Women - Lucy Atkinson
- The Catfish Club - BFI Film Academy 19-20 with Signal Film and Media
- The Love Song Of T. S. Eliot - Kitty Handley
- The Not So Super Man - Joel Sheldrake
- What Goes 'round... - Joshua Alexander
More details to follow
As well as showcasing great short films we also hope the Ospreys will provide opportunities for film makers to meet each other and possibly collaborate on future projects.
We have created a group on Facebook called the Osprey Filmmakers Network which we invite you to join if you have entered or film in the past
of are thinking of doing so in the future, or perhaps you'd like to get involved in some other way.
Osprey Filmmakers Network: http://bit.ly/OspreysNet
Partners & Sponsors
The Osprey Short Film Awards at Keswick Film Festival proudly accepts entries via FilmFreeway.com,
the world's best online submission platform. FilmFreeway offers free HD online screeners, unlimited video storage,
digital press kits, and more.
If you'd like to sponsor the Osprey Short Film Awards or supply any prizes then please contact us.