Welcome to Keswick Film Club

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  • Little Trouble Girls - Sunday 23rd November 5pm

    17 November 2025



    In Little Trouble Girls we meet shy, introverted,16 year-old Lucija as she joins a Catholic choir where she is befriended by Ana-Marija. Lucija's over-protected life (she has not even been allowed to wear lipstick) is faced by the challenge of growing up like everyone, especially the sexual awakening she is feeling.
    "Djukic’s feature debut echoes the sensitivities of Céline Sciamma’s early coming-of-age stories but with a bold, cinematic bent." - Tara Brady, Irish Times

  • On Falling - Sunday 16th November 5pm

    10 November 2025


    On Falling is our next members' choice - Aurora is a 'picker', pushing a trolley through the warehouse finding items chosen online by people she will never meet, keeping to a pace set by the machine in her hand. She is paid just enough to live on - when her mobile phone need repairing, this is a disaster as she is forced to go without other essentials.
    "Carreira’s is the kind of small, still-waters debut that nonetheless confidently sets out its maker’s store for future work -- a clarion call for a new generation of social-realist cinema." - Guy Lodge, Variety


  • Dying - Sunday 9th November 5pm

    3 November 2025

    We thought we may need to sell Dying as a film worth your while watching - why should you invest three hours of your life watching a miserable film about dying? Well the critics agree that "this is a film that justifies every second" and "has your undivided attention throughout the vividly composed, brilliantly acted chapters of its three-hour runtime. A miracle."
    "Matthias Glasner’s Dying might sound like an ordeal, but this rich, novelistic and mordantly funny Berlin film festival prize winner wears its themes and running time lightly.” - Wendy Ide, Observer

  • Cloud - Sunday 2nd November 5pm

    27 October 2025


    Kiyoshi Kurosawa had several award-winning films early this century, including the horror movie 'Pulse', where he portrayed the internet as the home of evil spirits. He is back now with Cloud, a film portraying the internet as dangerous, but this time it is human danger; is the main character who is an immoral 'reseller' of anything and everything for huge profits the baddy, or the people he sells to who decide enough is enough…? A story of our time, then.

    "This riveting and highly unusual shoot-em-up finds Kurosawa returning to his roots." - David Ehrlich, IndieWire