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  • Dying - Sunday 9th November 5pm

    3 November 2025

    We thought we may need to sell Dying as a film worth your while watching - why should you invest three hours of your life watching a miserable film about dying? Well the critics agree that "this is a film that justifies every second" and "has your undivided attention throughout the vividly composed, brilliantly acted chapters of its three-hour runtime. A miracle."
    "Matthias Glasner’s Dying might sound like an ordeal, but this rich, novelistic and mordantly funny Berlin film festival prize winner wears its themes and running time lightly.” - Wendy Ide, Observer

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  • Cloud - Sunday 2nd November 5pm

    27 October 2025


    Kiyoshi Kurosawa had several award-winning films early this century, including the horror movie 'Pulse', where he portrayed the internet as the home of evil spirits. He is back now with Cloud, a film portraying the internet as dangerous, but this time it is human danger; is the main character who is an immoral 'reseller' of anything and everything for huge profits the baddy, or the people he sells to who decide enough is enough…? A story of our time, then.

    "This riveting and highly unusual shoot-em-up finds Kurosawa returning to his roots." - David Ehrlich, IndieWire


  • Falling Into Place - Sunday 26th October 5pm

    20 October 2025

    Our next Members' Choice is Falling Into Place; Kira has gone to Skye to help her get over an ex-boyfriend. Ian is there to see his friends and his ailing parents. They see each other across a crowed pub and the rest is obvious... except it isn't. 

    "An antidote to Hollywood-style romcoms...Sensitive, fearlessly honest and forgiving, it sees two people make a connection amid the ongoing chaos of their lives" - Emma Simmonds, The List.

  • Parthenope - Sunday 19th October 5pm

    13 October 2025

    Director Paolo Sorrentino has always been fascinated by beauty and in this weeks film he concentrates totally on the beauty of one woman - Parthenope - whose very appearance seems to have every man obsessed. She herself doesn't like where this power leads her; rather than giving her freedom and enjoyment, her suitors want to own her or bring her sadness.

    “An exquisite treatise on cinematic beauty” - Siddhant Adlakha, Variety