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  • Orphan - Sunday 4th October 5pm

    28 September 2026

    Orphan was the Hungarian entry to the last Oscars. Andor is fighting back against the Soviet Occupation as best he can as a young teenager, helping his friend Sari hide her activist brother from the Soviet police, all the while idealising his missing father, last seen in the concentration camps.

    "Director László Nemes ('Son of Saul') crafts an indelible portrait of 1950s Hungary, still reeling from Nazi terrors, antisemitism bubbling away. Newcomer Barabas is a magnetic presence as Andor, a child permanently angry at the world" - James Mottram, Radio Times.

  • Cactus Pears - Sunday 27th September 5pm

    21 September 2026

    Cactus Pears takes a gentle look at the problems faced when a 30 year-old, gay Indian man has to return to his village for his father's funeral. Facing the villagers questions on why he has not married, he finds some solace when an old crush of his from his youth comes on the scene.

    "A luminous work, brimming with grace and delicacy" - Srikanth Srinivasan, Sight and Sound

  • Familiar Touch - Sunday 20th September 5pm

    14 September 2026


    Whilst films about sufferers from dementia have become more frequent, nearly all have shown the problems more from the point of view of the relations and friends rather than the sufferer. Familiar Touch lets us travel along with Ruth on the journey from respected professional to patient, from living in a lovely home to supported living, showing her ups and downs, losses and gains, along the way.

    "The result is an auspicious first feature, and I'd see it if I were you." - Michael Phillips, Chicago Tribune 

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  • Colours Of Time - Sunday 13th September 5pm

    7 September 2026


    Colours of Time, our opening film this season was chosen by the members...twice! First time round it was not available, but we finally have it.

    Four strangers have been gathered together by a development company who want to knock down a cottage, empty since 1944; unknowingly, they have inherited this from Adèle Meunier who disappeared back then looking for her own mother she had not seen for 20 years. The cottage turns out to be full of clues and memorabilia that set them off looking into Adèle's past; where did she go, who was she? Their search for her history is then comically interlaced with their own discovery of their future 
    "Genially inventive in messing with the codes of period cinema." - Jonathan Romney, Screen International

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